Sunday, May 28, 2017

FIELD GUIDE TO SMALL TOWNS


A FIELD GUIDE TO SMALL TOWNS

Small towns are away from the city and that is what makes them grand. I used to rush though these places, taking too much of the city with me. I did not realize their potential for discovery and interest.

This all changed when I moved to the South. Here there is wonderful wealth of small towns that beckon you to stay and savor them. Some are overblown with gift shops and fancy art venues. Some are raw bone with little on the surface to attract. Some are lovely with old architecture. Many have empty storefronts. You want to take them in your arms and make them right again.

I found myself making notes about these small places. Overtime, it grew into a journal and fostered a “Field Guide” of sorts to enjoying these special places. Here are some of my thoughts from wandering in small towns.

Before You Go
Study a map. You will not find many of these towns along freeways or even blue highways. Rather, it is good to follow highway signs reading 10 miles to Union or 5 miles to Ridgeway. They lead to two lane winding roads and the beginning of your quiet retreat from the City.

Take a camera. One that does not attract too much attention. Consider reading books like “Deep South” by Paul Theroux or “Blue Highways” by William Least Heat - Moon. They will set the mood and fuel your appetite for small town wandering.

History
Do a little research about the history of the town, why it even exists, and points of interest. Sometimes this leads to surprising finds. For instance, York SC was founded largely because of the Fergus Tavern located at a key crossroads. Inhabitants fiercely fought the British in two battles and remained the only area not defeated in the back and forth fighting of the Revolutionary War. It also played a key role in the civil war. The tavern must have served a good brew!

People
Challenge yourself to reach out and meet local people that look interesting. In Chester SC, I introduced myself to George Caldwell, an elegantly dressed black man, who was standing in front of his business. I learned that George is the town’s insurance agent and bail bondsman. 

He led me into his office filled with family and area artifacts. As we talked George paused and said, “He was not much for titles, but I might like to know he was also the Mayor of Chester. 

I figured if I was ever in trouble in Chester, George would be good to know.

Architecture
The architecture in a small town is great visual art and the buildings have stories to tell.
Many small towns are like time capsules. The low profile buildings and Antebellum homes seem suspended in time. Their colors showing muted patina, hues, and patterns that delight your camera.

Culinary
Small towns are a tasty break from McDonalds and Taco Bell. The centers of town often have eating places that have survived for decades on the “honest food” they serve. In Camden, Blackmon’s Little Midget will serve you a burger “all worked up.”  Don’t be surprised if Allen Blackmon, who's family has owned it for over 50 years, visits your table to make sure the burger is right. 

The Bantam Chef in Chester, The Wagon Wheel in Fort Lawn, and many other small eateries  abound. You will get a real flavor of the people and their lives at these places.

Shops
Some towns have become popular enough to afford the glitzy gift shop or fancy art venue. Even in these towns you can sometimes find a shop owned by a local winery or hardware store with deep history. 

More novel experiences can be found in less popular small towns. There you may find the fixer of old clocks, locally craft makers, a record store, or stamp collectors nook.

Institutions
Libraries, Art Councils, History Museums and Civic buildings are often fun and always informative to visit. The Native American Studies Center in Lancaster SC features Indian artifacts, pottery, and craft. Extensive study and research areas for the different tribes of the Piedmont Region are housed in the back of the Center. The York County Library holds many documents and photographs from the Civil War. Some small towns are also county seats. You can see small town dramas play out in court rooms deep in history.

Some Final Thoughts 
There are great small towns all over this country, not just in the South. The important thing is taking the time to enjoy them.  Maybe even developing your own “field guide” to them.

You will undoubtedly come across towns that puzzle you. They will have growing industry around them and modern outskirts, but the core downtown remains much as it was, with empty storefronts. You will ask yourself why?

Part of the answer is that many longtime residents and civic leaders don’t want it changed. They remember how it was and want to restore it to then. Thus, buildings and storefronts languish in a never-never world. They are not viable for large retail or services. 

How do you fix them? Art and antiques are one way, but not the only one. The unique is what attracts visitors and vibrancy to a town. It may be as simple as a record or used book store. More ambitious might be a store helping people do things. For example, a small electronics store focusing on the computer hobbyist, a local fashion designer, an art store with a studio area for demonstrations and locally made art paint. Disheveled also works. There is a bit of explorer in us all. The collector stamp store or antique shop that looks unorganized is a magnet for these adventures.

Small towns remain a wonderful retreat from busy everyday urban lives. A place to slow down, soak in the locals, and enjoy life. Try taking that two lane road to one of them, you will find rewards in many ways and always new discoveries.

David Young
Studio Four Magazine

Quotes about Small Towns:
“My plan is to have a theatre in some small town and I’ll be the manager. I’ll be the crazy movie guy.”  - Quentin Taratino
“Living in a small town, one of the keys to survival was your imagination.” - Nick Note
“Fame is only good for one thing: they will cash your check in a small town.”  - Truman Capote
“There are things about growing up in a small town that your can’t necessarily quantify.”  - Brandon South



Saturday, May 13, 2017

FINDING ONE'S SELF


"You have to go into the mess of the world to accomplish things, but always retreat to a peaceful place and strive to write a perfect sentence or paint the perfect painting" - Gustav Faulbert, writer and philosopher, author of "Madam Bovary"

Studio Four Magazine
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Saturday, April 29, 2017

GRAFFITI'S FINAL ACT


“Speak softly, but carry a big can of paint.”   Banksy


Who is the greatest Graffiti artist, BANKSY, LADY PINK, or DONDI? Maybe it is the building owner who comes along afterwards to cover the graffiti. They not only restores visual peace to the wall, but also create accidental art in the process. The technique used is called “Paint-outs.” It is Graffiti’s Final Act.

Graffiti is controversial. It grabs your attention and often evokes strong reaction. You love it or hate it. Is it art, a call for social change, protest, vandalism, marking of gang territory, or just a sign of urban decay? Often it is all of these, one painted over the other by unknown hands. 

Much has been written about graffiti. Styles of graffiti include Tags (the name of the artist), Throwups (quickly done in two or three colors), Piece (large complex work), Angels (work of deceased well known street artists), King/Queen (especially well respected artists), Married Couple (two adjoining apparatus units in one graffiti), Heaven Spot (dare devil pieces in hard to reach places), and Back to Back (painted all across a wall).

After all this is done, along comes the building owner, armed with an array of tools. Special paint called “Rescene Tag” is often used. It comes in a range of opaque colors. After the ongoing battle with graffiti is done and several coasts and colors applied, the result are Paint-Outs. Solid blocks of color covering the graffiti, forming different patterns, and taking on some of the color from the graffiti.

Paint-Outs become their own art work. Created by chance and accident by the building owner. Becoming the last act in the graffiti play. Bringing back a calm harmony to the City. A quieting of words.

David Young


See the entire series of "Paint - Out" art by visiting:

Studio Four Magazine
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Credits: Styles of Graffiti compiled from "10 Graffiti Terms to Remember" by Matt Randal and "Styles of Graffiti" by Graffito Canberra



Friday, April 28, 2017

TAKING A SLICE OF THE "BIG APPLE"

Newark Penn Station

Part of the fun of travel is trying something new. Staying in the heart of a big city is exciting. The action and attractions are right outside your door. Prices though are getting high. A stay in a downtown New York City hotel often costs $300 or more. Not to mention the $75 cab ride each way and the $20 glasses of wine. 

There are other ways to take a “slice of the Big Apple.” On a recent trip to New York, I flew into EWR Newark Liberty International Airport and stayed at the Hilton at Newark Penn Station. Newark is a short 21-minute commuter train ride to Midtown. There you can catch subways to almost any attraction in NYC, such as MOMA, The NY Public Library, 911 Memorial, and The Metropolitan Museum.

Flights to EWR are low cost because it caters to cruise lines, offering volume discounts. The Hilton I stayed at was $118 a night. It is attached by a causeway to Newark Penn Station (the sister station to Penn Station NYC). Trains run every 9 minutes. Better yet, Hilton will pick you up at the airport for no charge with their shuttle.

There are other surprising pluses to staying on the outskirts to big cities. I found Newark to be a very interesting place. It has a strong Portuguese population. There are numerous wonderful ethnic restaurants near the hotel. I ate one night at Don Pepe, just 300 feet from the hotel. It opened in 1981 and is a Newark institution. I was greeted by the owner Don Pepe and his head waiter when I entered. A wonderful menu and tastes followed. 

From an art perspective, Newark has great architecture, a vast array of characters, and urban scenes. A photographer’s feast. The Newark Museum, while not in the league of MOMA in NYC, is a worthwhile stop.

Staying on the outskirts of a big city has many advantages, but has some tradeoffs as well. Transportation systems can be challenging. For instance, there are two in Newark (PATH and NJ Transit). Each require separate tickets. Most of this can be sorted out at the information booth in the station. Ticket purchase is easy. Less easy is the walking inside the stations both in Newark and NYC (many stairs, escalators, elevators). 

On balance though, using this method to take slices from the big city is a solid and low cost choice. A choice with experiences that can surprise and delight. 


David Young

Sunday, March 26, 2017

PARKED ART

Tonopah, AZ

I worked in a warehouse summers to help pay for college. It was a sprawling place filled with pallets and crates full of everything you can imagine. Giant trucks with long trailers pulled in and out all day bringing and taking loads. There I met and became friends with Isaiah, a young black man. He worked full time, showing the muscles and toughness of that work. This was his life. 

After work, we would share a beer at a bar nearby, where truckers parked their big rigs and mixed with workers from the warehouse district. Isaiah liked the place and the tales he heard from the truckers about their travels. 

We were from different worlds. Isaiah from the hard scrabble central district where he had a small apartment. Myself from a comfortable middle class family and college life. Still we struck a chord. Maybe it was the hard-sweat work we shared in the warehouse that left you spent at the end of the day. He told me one time he respected how I worked, “not like most part timers.”

I knew not what future I would take after college. Isaiah, though, was sure what he would do someday. He wanted to get a big rig and travel the ribbons of pavement to see all the country. Every detail had been worked-out in his mind. How much it would cost to buy a used 18-wheeler. How he would make the it look artful and grand. How he would bring back road tales of his own someday. I listened to his dreams, played to a back drop of bar sounds and the rough chatter of truck drivers. His dreams seemed far away to me, but I never told him that.

The second summer I worked there, Isaiah was not to be found. No one seemed to know what happened to him. All summer I wondered if he had found his dream or what fate might have befallen him.

Later in life as business took me across country, I would occasionally see a big rig parked that showed a special road art. I always pulled over and waited for a while. Watching to see if Isaiah might climb down from the cab, so I could hear his tales.

David Young

Route 601, Carolinas

Grand Avenue, AZ



Phoenix, AZ


Airport Way, Seattle

Studio Four Magazine
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Tuesday, March 14, 2017

JUMP JIVE AND WAIL

"Jump Jive & Wail"
(Acrylic on Canson Board 9 x 12)
Inspired by great song by Louis Prima

Studio Four Magazine
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DEEP IN THE FOREST GREEN

"Deep in the Forest Green"
(Acrylic on Canson Board 9 x 12)

Studio Four Magazine
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